On the GOP side, frontrunners (and would be candidates) Rudy Giuliani, Sen. Hillary Rodham Clinton, the Democratic frontrunner, has to balance calls for cooperation and diplomacy with the special challenge of being a woman bidding for the role of commander in chief. None of this suggests that the "pragmatists" are about to retake control of American foreign policy. Playing to the GOP base, Romney has talked for years about confronting the "jihadists who are waging a global war." But Romney adds that winning that war will require "a broader approach to the broader Muslim world-including working with NATO allies and with progressive Muslim communities." Bush and offered a military and diplomatic strategy out of the Powell-Scowcroft playbook: patient, coalition-building diplomacy combined with the use of surgical, well-prepared military force. In a warm up speech for the Democratic debate-to the Chicago Council on Foreign Affairs-Obama praised President George H.W. Scowcroft has his own personal reasons for kibitzing: he and Romney are leaders of the Mormon Church. Powell has had a history of offering his expertise to anyone who is interested, but especially fellow African-Americans, since there aren't many blacks in the top ranks of the foreign policy establishment (besides Powell, they include Secretary of State Condi Rice, of course, and former UN Ambassador Donald McHenry). I am told that Powell and Obama have talked more than once, urged to do so by mutual friends. Their role model is not Bush II but Bush I. They favor multinational groups, not necessarily the UN, but certainly broad-based coalitions. They tend to have a good feel for, and good relations with, the moderate Arab and Muslim worlds. They represent a deal-making, business-oriented group that seeks to understand (and not judge) the morals of the societies with which we must deal on the planet. They are neither the get-out-now crowd of MoveOn Democrats, nor the conflagration crowd of confrontationalists on the right. Now the "pragmatists" are back into the conversation. Distrustful of most of his father's advisors (including Powell and Scowcroft), Bush surrounded himself with combative visionaries-the neocons-whose black-and-white view suited his temperament.Īfter 9/11, that meant the "Axis of Evil," the War on Terror-and Iraq. Bush of Texas knew little about the world and rarely had traveled abroad. We are in a crucial-but little understood-phase, not only in the presidential campaign, but also in the shaping of foreign policy. Brent Scowcroft, an early foe of the war in Iraq and a close ally of Powell's from the first Bush presidency. Mitt Romney (another foreign policy neophyte) has reached out to a number of advisors, among them, I am told, Gen. Colin Powell, who now deeply regrets his role in making the case for war in Iraq. Barack Obama sought advice from a wide circle, including, I am told, Gen. Listen to the full episode to hear more on this topic, and why Dragan’s first album was titled Maxi German Rave Blast Hits 3.As he prepared for the Democrats' first presidential debate, Sen. I think that can benefit the field as a whole.” What’s most needed, he argues, may be less in-depth case studies than meta-level, cross-cutting analyses. “If you think about this whole field as a community where different folks are focusing on different things and building out different specializations and you're all friends with each other and you're exchanging information and you are helping each other out and you're making projects together. This approach coincides nicely with Rhizome's needs, with thousands of works in the ArtBase archive, and the tools and approaches that Dragan has nurtured in this context have had important field-wide impact: the ArtBase’s use of Linked Open Data Emulation as a Service and the Webrecorder system (now an independent project).ĭuring the episode, Dragan also applies this systems-level framework to the preservation field itself, and observes that there is not enough field-wide dialogue. This has deeply informed his work at Rhizome, where he has taken a systems-level approach to digital preservation, eschewing as much as possible the in-depth focus on “heroic” great works that is more typical of museums. From his early exposure to the demo scene, his work with Rephlex Records, and his collaboration with Olia Lialina on the Digital Folklore book and more, Dragan’s story speaks to the importance of community and material culture in shaping creative practice. Rhizome’s Digital Preservation Director Dragan Espenschied recently sat down with Ben Fino-Radin of Small Data Industries, host of the Art and Obsolescence Podcast, to discuss the ways in which his work as an artist, musician, and developer informed his approach to preserving digital art.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |